{"id":9029,"date":"2021-11-27T19:55:32","date_gmt":"2021-11-27T19:55:32","guid":{"rendered":"http:\/\/museogustavodemaeztu.com\/?p=9029"},"modified":"2022-09-16T19:25:25","modified_gmt":"2022-09-16T17:25:25","slug":"exposicion-enso-de-koldo-sebastian","status":"publish","type":"post","link":"https:\/\/www.museogustavodemaeztu.com\/eu\/exposicion-enso-de-koldo-sebastian\/","title":{"rendered":"Exposici\u00f3n \u00abEns\u014d\u00bb, de Koldo Sebasti\u00e1n"},"content":{"rendered":"\r\n<p>&nbsp;<\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"637\" height=\"594\" class=\"wp-image-9030\" src=\"http:\/\/museogustavodemaeztu.com\/wp-content\/uploads\/2021\/11\/cartel_exposicion_koldo_sebastian-web.jpg\" alt=\"\" srcset=\"https:\/\/www.museogustavodemaeztu.com\/wp-content\/uploads\/2021\/11\/cartel_exposicion_koldo_sebastian-web.jpg 637w, https:\/\/www.museogustavodemaeztu.com\/wp-content\/uploads\/2021\/11\/cartel_exposicion_koldo_sebastian-web-157x146.jpg 157w, https:\/\/www.museogustavodemaeztu.com\/wp-content\/uploads\/2021\/11\/cartel_exposicion_koldo_sebastian-web-50x47.jpg 50w, https:\/\/www.museogustavodemaeztu.com\/wp-content\/uploads\/2021\/11\/cartel_exposicion_koldo_sebastian-web-80x75.jpg 80w, https:\/\/www.museogustavodemaeztu.com\/wp-content\/uploads\/2021\/11\/cartel_exposicion_koldo_sebastian-web-359x335.jpg 359w, https:\/\/www.museogustavodemaeztu.com\/wp-content\/uploads\/2021\/11\/cartel_exposicion_koldo_sebastian-web-515x480.jpg 515w\" sizes=\"auto, (max-width:767px) 480px, 637px\" \/><\/figure>\r\n\r\n\r\n\r\n<p>El Museo Gustavo de Maeztu re\u00fane entre el 2 de diciembre de 2021 y el 27 de febrero de 2022, en la sala de exposiciones temporales, una muestra del creador pl\u00e1stico Koldo Sebasti\u00e1n del Cerro (Pamplona, 1961) que orbita en torno al concepto japon\u00e9s <em>ens\u014d<\/em> (&#8216;c\u00edrculo&#8217;), t\u00e9rmino que da nombre a la exposici\u00f3n.<\/p>\r\n\r\n\r\n\r\n<p>La instalaci\u00f3n se abrir\u00e1 al p\u00fablico el jueves 2 de diciembre a las 11:00 horas y podr\u00e1 visitarse en la pinacoteca estellesa con entrada gratuita en el horario habitual de apertura: de martes a s\u00e1bado, de 9:30 a 13:30; domingos y festivos, de 11:00 a 14:00 horas.<\/p>\r\n\r\n\r\n\r\n<p>Esta muestra, tal como sugiere su t\u00edtulo, se compone de piezas pl\u00e1sticas circulares. En la cultura japonesa, <em>ens\u014d <\/em>no es meramente un elemento geom\u00e9trico, sino que encierra una simbolog\u00eda: se trata de una representaci\u00f3n de lo universal, \u201cdonde cada parte de ese todo trasciende a s\u00ed misma precisamente por ser integrante intr\u00ednseco de esa totalidad \u201d, explica Sebasti\u00e1n. El t\u00e9rmino se relaciona con el budismo zen, donde, con un trazo, se intenta lograr un c\u00edrculo perfecto.<\/p>\r\n\r\n\r\n\r\n<p>Para el artista pamplon\u00e9s, <em>ens\u014d <\/em>es, adem\u00e1s de lo anterior, un reflejo del recorrido vital de cada persona (que comienza y acaba), y lo relaciona con una parte personal afectiva: \u201cDedico esta exposici\u00f3n a una amiga japonesa que falleci\u00f3 hace un a\u00f1o, como gesto de gratitud hacia ella por lo que ha supuesto en mi vida\u201d, relata.<\/p>\r\n\r\n\r\n\r\n<p>La instalaci\u00f3n consta, por un lado, de dos familias o grupos de obras creadas con madera pintada: un grupo abarca doce piezas de un metro de di\u00e1metro cada una y el otro grupo comprende trece piezas de 50 cent\u00edmetros cada una. Ambas familias, explica Sebasti\u00e1n, est\u00e1n inspiradas en el mecanismo de Antic\u00edtera, el ordenador anal\u00f3gico m\u00e1s antiguo del mundo, supuestamente construido por cient\u00edficos griegos hace unos 2200 a\u00f1os, y cuyos restos se encontraron en el mar Egeo a comienzos del siglo XX. Este artilugio permit\u00eda, con bastante precisi\u00f3n, predecir eclipses y posiciones de cuerpos celestes, y se compon\u00eda fundamentalmente de c\u00edrculos y coronas cuya relaci\u00f3n tangente permit\u00eda su engranaje y funcionamiento.<\/p>\r\n\r\n\r\n\r\n<p>Por otro lado, la exposici\u00f3n de Sebasti\u00e1n incluye tambi\u00e9n varias obras realizadas en acero, \u201cm\u00e1s complejas que el c\u00edrculo y la corona\u201d, apunta. No obstante, \u201cno son un grupo completo, puesto que su desarrollo sigue todav\u00eda abierto\u201d, a\u00f1ade.<\/p>\r\n\r\n\r\n\r\n<p>Koldo Sebasti\u00e1n, que ya expuso en el Museo Gustavo de Maeztu de forma individual en 1998 y ha formado parte de la anterior muestra colectiva solidaria (<a href=\"http:\/\/museogustavodemaeztu.com\/exposicion-devolviendo-sonrisas\/\"><em>Devolviendo sonrisas<\/em><\/a>), se mueve dentro de la abstracci\u00f3n geom\u00e9trica: \u201cAunque no soy un ortodoxo de los n\u00fameros, me sirven para construir estructuras y sistemas concretos, sencillos y clarificadores \u2014detalla\u2014. Mi trabajo oscila entre el orden y la improvisaci\u00f3n. Aunque son conceptos aparentemente opuestos, creo que el aprovechamiento de lo imprevisible requiere de conocimiento y control\u201d.<\/p>\r\n\r\n\r\n\r\n<p>Todo el contenido de esta exposici\u00f3n se enmarca dentro de una serie m\u00e1s amplia en la que el artista navarro lleva trabajando desde 2013, llamada <em>Infiniverso<\/em>, cuyo fin es reflexionar sobre la relaci\u00f3n ineludible entre lo absoluto y lo relativo.<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Del 2 de diciembre de 2021 al 27 de febrero de 2022 en la sala de exposiciones temporales.<\/p>\n","protected":false},"author":2,"featured_media":9030,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,41],"tags":[],"class_list":["post-9029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-erakusketak","category-prentsa-oharrak"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Exposici\u00f3n \u00abEns\u014d\u00bb, de Koldo Sebasti\u00e1n &#187; 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